On Thumbs, Stars, and Little Men
Robert Christgau: CG 70s: The Grades
I love Christgau’s original (pre-1990) explanation of how he grades the records that he reviews.
An A+ record is an organically conceived masterpiece that repays prolonged listening with new excitement and insight. It is unlikely to be marred by more than one merely ordinary cut.
An A is a great record both of whose sides offer enduring pleasure and surprise. You should own it.
An A- is a very good record. If one of its sides doesn’t provide intense and consistent satisfaction, then both include several cuts that do.
[… further explanations, then …]
A D+ is an appalling piece of pimpwork or a thoroughly botched token of sincerity.
It is impossible to understand why anyone would buy a D record.
It is impossible to understand why anyone would release a D- record.
It is impossible to understand why anyone would cut an E+ record.
E records are frequently cited as proof that there is no God.
An E- record is an organically conceived masterpiece that repays repeated listening with a sense of horror in the face of the void. It is unlikely to be marred by one listenable cut.
If every critic — ala Ebert, in his way — would disclose the yardstick by which he generates the “stars,” “thumbs,” or “Little Man” of his reviews, it would go a long way toward educating readers; as well as, I’d argue, potentially helping revive the increasingly one-star interest in professional arts criticism.
It’s not that people aren’t interested in hearing what anointed “experts” have to say about a given movie, CD, book, or what have you. And, it’s not even that the lumpenconsumertariat requires that everything be reduced to a pre-chewed paste about buying decisions.
But, disclosing the fahrenheit, celsius, or kelvin of a given reviewer’s mercury would make it much easier for readers to understand how closely a critic’s cognition maps to their own.
Because, by itself, a thumb is really just a decisive finger. And, by itself, a finger almost always benefits from a little extra context.
[Note: This post originally appeared on our daughter site, “43 Folders Clips,” and we liked it enough to republish it here.]
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