Creative Work

Thanks to my funny, literary pal, Jason B. Jones, today, I’m visiting lovely, warm Connecticut to do some talks and whatnot at CCSU. I mention it because I’d started typing this little post mid-way through the long eastbound flight that delivered me here from three fun (but very long) days doing a comedy thing with You Look Nice Today and Jordan, Jesse, Go! over on that other, top-left, edge of our nation.

So, I was tired. Really tired. The kind of tired where your wallet hurts your butt, and coffee tastes weird, and you try super-hard to sleep, but – well – you’re just too tired to sleep. And, I was fine with all that. Who can complain about being sleepy from hanging out with Adam and Scott? Exactly.

Except. The lady in the seat directly behind me was having grave problems with her “mud room.” Big mud room problems. I know this because she talked about it for several hours in excruciating detail.

I’ll spare you the nuts and bolts of the numerous and surprising ways that the room in which wealthy persons remove their shoes might contribute to causing a carefully-coiffed, 60-year-old woman to come unglued over “priorities.” Suffice to say, fixing this problem was a “high priority” for her. So, she said, repeatedly, as I shifted my wallet, let my coffee go cold, and balled the little blue pillow under my neck.

“Priority! Mud room!” I audibly mumbled, just loud enough to be heard exactly one row back.

Anyhow. To get up to speed, please read these in order: Matt said something, Josh said something, I said something, Andy wrote this awesome post, Jason responded, then, Anil responded. For extra credit, and to get you in the mood, go back and re-listen to Gruber’s and my talk from this year’s SxSW.

I will wait here. Please read them all. This will take a while, and you should only continue if you’re okay with that. As ever, it’s kind of the whole point.

[Time passes, and then:]

SxSW ’09 - Gruber & Mann - HOWTO: 149 Surprising Ways to Turbocharge Your Blog With Credibility! (audio mp3, free on iTunes)

My pal, John Gruber (from daringfireball.net), and I presented a talk at South by Southwest Interactive on Saturday, March 14th. We talked about building a blog you can be proud of, trying to improve the quality of your work, reaching the people you admire, and maybe even making a buck (in a way that doesn’t blow your deal). Here’s what we had to say:

Don’t keep calm and carry on. by moleitau

Apart from noting that I adore Matt and want to acknowledge his inspiration for this, I have nothing to add.

This, my friends, is the thing.

So amazing, so illegal. What are we going to do with you, future?

That’s my pal, Jonathan Coulton, remarking on the disruptively talented Kutiman, who has made an astounding series of YouTube video remixes that’s lighting up the web and (one imagines) generating a lot of wood amongst our nation’s libidinous entertainment litigators.

Here’s Kutiman’s “The Mother of All Funk Chords” (link includes credits for each video):

iTunes: “Gangs, Constraints, and Courageous Blocks”

Learn how ganging and constraints can help you create the blocks of time you need to devote 100% of your attention to making your best work. (10:32)

celtx - Integrated Media Pre-Production

QPR - CryingStore - “Cold Tulips” by merlinmann (Celtx - Project Central)

I’ve recently returned to using the Open Source (MPL-based CePL license) Celtx app for all the script-ish stuff I write. But it does a lot more than just collect and format drafts (which, unlike a text file or MS Word, Celtx does in a way that lets you focus solely on writing, rather than fiddly formatting). It’s also an amazingly flexible and robust app for managing all the pre-production materials for screenplays, comics, audio plays, or what have you. And, again: it’s totally free.

Merlin Mann - “Toward Patterns for Creativity” - Macworld PULSE

Here’s a video of my presentation, “Toward Patterns for Creativity,” from earlier this month at Macworld, here in SF.

If your mall’s bookstores look anything like mine (and it’s probably safe to assume that they do), you’ll find numerous sections devoted to helping writers, painters, musicians, and other aspiring artists to become successful in one way or another. There are books chock full of tips on finding an agent, on painting like the masters, and on composing and selling a hit song.

There are also dozens of books on “creativity” itself. Guides that are meant to help you access and unlock the artist within and to see the world in more creative ways. How to “be” creative, how to generate ideas, and how to learn to think “laterally.”

Some of these books are just terrific, many are atrocious, and, at least in my anecdotal experience, only a handful challenge their readers with a fundamentally unmarketable premise:

Creative work only seems like a magic trick to people who don’t understand that it’s ultimately still work.